First the watercolour was removed from the old wooden stretcher. Dirt was gently lifted from the surface.

Acidity and discolouration were removed from the paper, strengthening the paper and prolonging its life. Tears were repaired with a reversible adhesive (one that can be removed) and reinforced from behind with Japanese paper.

The watercolour was remounted onto an acid-free board, allowing the paper to expand and contract to changes in humidity.

What next?

• Learn about humidity and other agents of deterioration
   
• Learn more about the painting
   
• Learn how to make sure your treasured possessions have a long and happy life by checking out 'Past Present Future' (PDF document, 1,418 kb)

Or, click on one of the tabs at the top of the page to examine another object